(b. Los Teques, Venezuela, 1998) Since I left my country at seventeen, I’ve tried to inhabit the space between observation and metaphor—where an image becomes a feeling.

For almost a decade, I’ve worked between commercial and documentary, moving through festivals, commissions, and collaborations. That period taught me to see with precision, but also to distrust the image as testimony. Today I work from that contradiction, using technique as an excuse to think about what cannot be seen, but is felt.

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